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Favourite Brothers

February 20, 2008, I hopped into my girlfriend’s car for a “mystery weekend” she planned as a Valentine’s day present. In the car she coyly asked me about my brother and whether or not I had talked to him recently. I hadn’t, but I didn’t know she planned for us to go see my brother’s band, Favourite Sons, at their first concert in NYC in 8 months that night.

We made it to Union Hall, a nice spot in Greenpoint, with time to spare. The bar has two Bocce ball courts and nice low-ceilinged venue downstairs. The band took to their spots naturally and started with a new song which I loved. In fact most of their set was new material culled from the last year. This was my first time to see them in concert in the 3 years they’ve been together. The sound was best ever especially with their accompanying keyboardist. Here are a couple photos and videos from the set:

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ken & matt

After the show it started snowing for the second or third time this winter. Living in Charleston, SC, myself it was entertaining to experience the “real” winter. It snowed 3-4 inches making it a little slippery to get around the next day.

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Friday we ventured to 5 ave where we visited The Metropolitan Museum of Art and the Guggenheim. We went to The Met to check out South Carolina native, Jasper Johns’, show Grey. The show, as the title suggests, exhibits his experimentation with the color and feeling of grey in the last 50 years of his career. What struck me most was his Perescope piece inked on plastic that he found in a Charleston art supply store. He addresses the primary colors in a played down composition and suggests the motion of a ruler and his hand. The effect of ink on plastic is liquid and dreamlike in the way that you can find rainbows in an oil spill. Unfortunately photography was prohibited.We did however find this amazing mirrored convex dome on the wall next to Damien Hirst’s embalmed shark.

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We debated as to whether we wanted to go into the Guggenheim but we were confronted by the question, “Is there any reason not to?” On display was Cai Guo-Qiang’s Want to Believe, which spanned from the floor up to the ceiling of the museum, snaked through the rotunda, and took up at least two of the annex spaces. I wonder how long it took to install. Part of the installation was a work in progress in which the artist and his employees carved wet clay sculptures. Another part of the exhibit was an above ground that snaked around one of the annexes, help water, and a yakskin boat. I was one ten-year-old shy of actually getting on the boat, but the installation in that room in particular blew me away. The exhibit ended with a trip down into the basement of the Guggenheim where a final exhibit, Everything Is Museum, was displayed. Cai currated a show including Kiki Smith and some other international artists. One of the more interesting pieces were 3 skylights converted into projection screens. This exhibit also documented some of Cai’s involvement with MoCA (Museum of Contemporary Art). He, Kiki Smith, and others have literally exhibited in caves and forts as part of an attack on the preexisting museum structure. I enjoyed how the exhibit was guarded by a porcelain doll created by Kiki Smith.

Then we headed to Artie’s delicatessen on the upper West side. I enjoyed my Jewish Chef Salad. Who doesn’t like meat salad?

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Friday night we saw Eric Copeland of Black Dice, Cause Commotion, and Blood on the Wall at Williamsburg Music Hall. The space was huge with a bar underneath it. Eric Copeland drilled our ears with twitchy and heavy beats with some slight vocal additions. He kept his head down and stuck to twisting knobs on his podium. The sound was almost as if he took R&B off the radio and put it in his homemade sampler. There was a certain beat to the whole set but nothing you could tap your foot to for more than twenty seconds at a time. Cause Commotion was not my thing at all. I liked Blood on the Wall though. I had not heard much of their music before that night, but was very impressed with it all. They’re a very tight band and fairly straight forward as well. I enjoyed the alternating male and female lead voice , which meant to me variety in song writing. They played a really sick encore with a kind of Can sounding drum beat that was more progressive than some of their prior songs.

After the show we went to a bar called Enid’s in Greenpoint where we met up with some of Meghan’s friends and I surprisingly met up with one of my friends, Greg, from the time I lived in Murfreesboro, TN. Crazier is that he now lives in LA. Craziest is that both Greg and I have brothers living in Greenpoint. Weird, right?

Saturday we checked out Cafeteria, a twenty-four hour restaurant in Chelsea. The highlight of the meal was probably the “Mac Attack” macaroni and cheese combo. It featured bacon and smoked gouda, truffle oil, and fontina mac and cheese. Nuts.

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This is a photo of Emily, Meghan’s friend and I, at the Dietch Projects inside of Michel Gondry’s Be Kind Rewind exhibit. This exhibit was overwhelming, but makes more sense now that I’ve seen the movie. I didn’t like the movie so much, but the exhibit was a great mix of instructional art, installation, sculpture, and workshop. Groups of 10 or so sign up for the workshop and execute it every two hours. The workshop includes creating a storyboard, deciding rolls, and then creating a film on the set of all the variable rooms. There was a lawyer’s/doctor’s office, outdoors, alley way, cafe, highway, etc. It’s almost a shame that the art ties to such a huge movie.

That night we met up with some family friends of Meghan’s for Italian in the Upper East Side at a spot called Elio’s. I had gnocci with sausage ragu, which was perfect. I was embarrassed for being under-dressed so I buried myself in food.

After dinner I headed to Union Docs in Williamsburg to check out the Adolescent Sessions featuring Sian Alice Group and Skeletons. Union Docs is a performance space where bands play in the basement and are projected upstairs using surveillance technology. The cutest thing about the space is how you can’t clap for the band playing, but you have to stomp to show your appreciation between songs. Sian Alice Group played blissful, at times epic, and psychedelic rock. I enjoyed the sections without drums, but with 3 guitars, keyboards, vocals, and bass. The sound was thick and beautiful. I left after their set to try and check out Black Dice at the Market Hotel, but the show was sold out. Selling out in your own neighborhood.. wow. I came back to Union Docs to check out Skeletons, which I thought was good, but not anything I’d like to hear more than a song of.

ted coffee cup release waffle brunch

On Sunday we celebrated Brunchness with Ted of Viva-Radio at the Flatbush Pavillion American Apparel location. Honorary mugs were printed and given out to customers, and we made waffles and served Gorilla Coffee. Most hilariously Ted made thirty six hard-boiled eggs for us to enjoy. It was nice to see my brother with his coworkers and interns working on what matters most, breakfast.

This was definitely a whirlwind of activity for one weekend, but nevertheless much needed. All the travel, art, and music was very inspiring and motivating. It was also heart warming to see my brother do what he loves on stage. Who knows what’s to come with me and NYC. I enjoy the pace and culture of NYC, but I’m not signing a lease any time soon, unless it’s at a communal living, art, and pizza space.

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All of these photos were taken by Meghan McNeer.

It’s like…

I got inspired one day and then got trapped under something heavy.

New York City

Click here to listen to some subway sounds from the Bedford-Nostrand stop on the G line of the New York Transit System.

My girlfriend, Meghan, and I recently visited my brother, Matt, and friends in Brooklyn. I was there from August 10 to August 20, 2007. Apart from major delays, flight cancellations, and typical airline bullshit, the travels were safe.

Upon arriving to the Fort Green neighborhood of Brooklyn, I met Melinda, a friend of Meghan and mine, at her place of employment, LouLou’s Bistro. Tired from a day of travel, we made our way back to her apartment in Bed-Sty and hit the hay.

The next day Meghan arrived and we hurried to PS1 with my brother to give DJ Lovefingers his new test pressing for a 12″ on RVNG, my brother’s record label. The courtyard of PS1 is currently adorned with an installation of telephone poles supporting a canopy of candy colored tarp cut into netted patterns. A very fantastical approach to a purpose.

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And on this particular Saturday the courtyard was also adorned with party/museum-goers. This idea of there being a show at a museum really struck me interestingly. New York City is home to a lot of creative action though, so I suppose it isn’t totally out of line. That day DJ Lovefingers played a set of mostly disco and managed to squeeze in “Shakedown Street” somewhere along the line. Way to go. Following, Mike Simonetti, of Troubleman Unlimited, DJ’ed a short 15 minute set. He kept looking back and asking about the levels, but it sounded just fine. The crowd was feeling the sun and sounds. Next Glass Candy took the stage and the crowd was all but hype. Blasting through backtracked songs accompanied by bass or keyboard, the show was a bust. Their coverof Kraftwerk’s “Computer Love” cracked a few smiles, but hip-shaking was minimal. Some music is suited for the outdoors in the middle of the day, and others.. not.

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We rushed from PS1 to a place called The Yard in Carroll Gardens to Social Registry’s Anniversary Festival. This show was also outdoors, however by this time the sun was setting and bringing a more magical feeling to the experience. We arrived during Jah Division’s set which was a nice kind of progressive/psychedelic rock band. Got krauty then another drummer chimed in and made it freaky. Next up, the band we came to see, Psychic Ills, played. The last time I saw them was at SXSW in 2005. I remembered darkness pummeled with these whipping psychedelic rock songs. That night at The Yard I got meandering noises ad nauseum. The noises lended to a “spooky” side that spooked the fun right out of the night and brought us to yawns. They did play one distinguishable song from their album Dins, which was a nice break from the aimless drone.

Directly following the Psychic Ills, my brother, Jasmine Pasquille, Meghan, and I met at LouLou’s, the aforementioned cafe where Melinda works. We ate out in the garden, which is an attraction of a lot of the cafes and restaurants in Brooklyn. The setting was perfect to enjoy their perfect food. I ate the hanger steak with pomme frites and the frites nailed my longing. My brother ordered the free range chicken which appeared delicious served with roasted shallot mashed potatoes. LouLou’s emits a personable vibe that is highly desirable for business owners.

The next day beheld further abundance of free music. After walking through Williamsburg from Bed-Sty, I returned to Verb Cafe on Bedford and sat in the same place I sat over a year and a half ago. I made a good connection with the muse both times. I was also delighted to see that some of the stickers I put in their bathroom were still running. Upon returning to Bed-Sty we ate brunch at Maggie Brown’s, a crowded breakfast place. Maggie Brown’s highlight is their strawberry butter. Afterwards we walked around the Pratt campus before the Ted Leo show at McCarren Park in Williamsburg.

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We arrived at the McCarren Pool in time to catch the entirety of Ted’s set. Right when we got there we ran into Colins Kilgore (American Princes), a friend of my sister’s that I had not seen in 6-7 years. Backstage they served free Red Bull and warm Dewars. How dehydrated can you get?

This was my fourth time to see Ted Leo and it was equally satisfying seeing him outside playing a corporate sponsored pool party as seeing him at the Exit/In in Nashville or Grey Eagle in Asheville, NC. His songs are solid and so is his band. They carry through any environment. I especially enjoyed hearing some of his new material which I had not previously explored. Sadly it was the bassist’s last show. I told my brother I chalked the show up as yet another time I didn’t meet Ted Leo. I’m just shy I guess. He’s a hero.

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We left Ted Leo to revisit The Yard, where Social Registry’s anniversary party was taking place. We arrived in time to check out Gang Gang Dance, which blew me away. The keyboardist’s sharp transitions from drum pad to keyboard made for tight and unexpected changes in their music. The drummer himself sounded mechanic and electronic. The guitarist played some of the lead parts to the songs on God’s Money through a guitar-synth which slightly surprised me. His parts were just as syncopated and varied as the rest. The singing was done namely by a woman equipped with some real energy and a delay pedal. Some of their music sounds new age to me as do the vocals, but in the most head-knodable sense. This band tranced the audience up until 10:04 p.m. or so when someone pulled the plug on them for going over time. What the fuck? Could they not hear that this was a new song and that it was climaxing as they muted the whole deal?

During the week I went to “help” my brother with Viva Radio, American Apparel’s online radio station. En route we visited Gorilla Coffee which I quickly obsessed over. The radio station is located in the projection booth of an old movie theatre reappropriated into an AA store in Park Slope. Park Slope seems to be burgeoning with corporate activity on one side of Flatbush Ave., and the total opposite on the other side. It was exciting to get into my brother’s work environment, because he spends a great deal of his time there. It felt like some of the radio stations that my dad worked at when I was a kid. Cool audio gear and egg crate foam. My brother was simultaneously recovering from strept and trying to push a project of his into fruition, pretty taxing.

One day we visited some of Manhattan’s art galleries, the first of which was the Deitch Projects in SOHO. The gallery was spacious and empty. The art intalled was wallpapered using aluminum and vinyl materials. The patterns were remotely psychedelic, but the scale was the big idea. One wall must have been 50′ x 200′, and of course selling for $40,000. Why not?

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Next we found ourselves in Chelsea with a list of galleries thanks to Jasmine. We checked out an ‘Abstract Kinetics‘ show at the Andrea Rosen Gallery which was art from the 50’s and 60’s. Some of the kinetics were very minimal, but all of them very repetitive. The highlight of the show for me was a string with a weight on the end of of being dangled 20-25′ from the ceiling, propelled by a motor to form a perfect helix all the way to the ground. Simply mesmerizing.

We hit the Whitebox Gallery, a cool non-profit, and several others before entering Banks Violette’s show at Gladstone Gallery, which was definitely the most metal thing I experienced in NYC. The show consisted of remnants of a huge rock show. Broken risers, mixers and speakers, grappling, and lights. Some of it was assembled in the middle of the room and other in between rooms. The largest room contained two enormous subwoofers blaring the subsonic frequencies of Stephen O’Malley, Sunn O))). The sounds were shaking, but the visual element kind of struck me as overly macho. The kinetic elements of this show other than the sound were amazing however. The artist set up a grid of 16 or so mirrors and pumped nitrous in to the back of the structure, thus gradually fracturing the mirror. Although I didn’t see nor hear any cracking while in front of it, broken mirror littered the floor close-by. Interestingly enough the sound source for the subs was revealed in one of the rooms as 3-4 mini iPods running into a behemoth mixer and routed throughout the gallery. Another fabrication of a wall occupied another space, but this one crumbled at the bottom. Nitrous skated under the folds in the metal and created a beautifully organic creek of vapor. I enjoyed walking through the vapor and interacting with it in that light.

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Chelsea bemused me with its endless galleries all so close together. I’m sorry to have missed Mixed Greens and White Columns, but another day. We stopped at a cafe for coffee and shortly after stumbled upon Printed Matter, an amazing zine, book, music, t-shirt, etc. store in Chelsea. I was excited to see The Finches in the record bins. It’s amazing that music is equally available on the opposite coast of which it was created. This store took me aback about ten times. From lathe-cut seven inches to an exhibit on The Fugs , I was locked in their palm (although I bought nothing). Visiting establishments as such makes me hopeful and broadens my eyes to the existence of a home for interesting artwork.

On thursday we met a friend of mine, Caroline, from Charleston, SC, now living in Park Slope, at Union Pool in Greenpoint. We went to see Deer Tick, a musician from Providence, RI, who played a friend of mine’s house in Murfreesboro over a year before. Shamefully I missed him the first time I had the chance because I was too busy making [neat pizza]. Caroline is a friend of his from time he spent in Charleston, SC. All points converge somewhere, right?

Deer Tick’s set was one of the best I saw while in New York. He delivers his songs with honesty and conviction. I found myself with my eyes closed and letting his voice take me to Anytime, Anywhere. His voice is weathered with rasp to the extent that it sounds like he is throat singing at times. Beautiful and transcendent. He doesn’t mind cracking a joke every once in awhile either as you’ll notice.

“My Sister Brooke Hogan”

“My Sister Brooke Hogan”

“I Am Woody Page’s Son”

Paleo played next which was cute and charming, but all too reminiscent of another folker living in New York. Guess who?

Friday I visited Hospital Productions, NYC’s source of black metal and noise. It’s a tiny shop in the bottom of a Reggae record store called Jammy Land. It’s located on 5th Ave in LES(?). I was amazed by the tiny space and the contents it held. Ranging from test pressed vinyl to dvd’s to handmade CD-r’s, they had a wide spectrum of releases within these two factions of music. After talking with the man working the register, I learned that they stear away from psych and anything other than real power electronic or industrial kind of noise, and then black metal. It’s amazing that such a store can exist, but as I’m learning in The Long Tail by Chris Anderson, the 21st century market is as dependent on niche as the 20th century was on the hit.

Friday night we partied at Melinda’s apartment for her birthday. Being on the roof of her apartments I was reminded strangely of being in Oakland, CA, I don’t know if it was because I was there visiting a sibling as well, or what. Cosmic Coincidence.

I picked up a book called Cosmic Trigger 1 by Robert Anton Wilson while in Manhattan one day and started racing through it. Yet another perspective-altering read. The book is full of “Cosmic Coincidence” and many other mysterious topics such as freemasons, and numerology. I couldn’t help but relate these themes to my trip.

On Saturday I checked out Black Moth Super Rainbow’s free show at Soundfix in Williamsburg. I had never seen this band, but they definitely live up to their recordings. The synths were heavy as was the bass. I only cought a few songs, but gleaned what I could.

Later that evening I returned to Soundfix to check out the Okkervil River, Nat Baldwin, and Cameron Hull show. It was a pleasure to be greated by the man working the register, Adam Kriney (La Otracina) because he played on of the best shows at my old house on my radio show, The Acid Living Room. I was excited to see Nat Baldwin play because he was along with Deer Tick when he came through TN, and I also missed Nat’s set. It was lovely to hear Nat play his stand up bass and sing. Talking to him after the show, it was the cellists’ first time to perform with him. I think they managed fine, although I enjoyed the tighter parts of the songs as opposed to the more “free” parts. Cameron Hull played last, and I ducked out early. He was in Charleston a few months ago, and from what I could tell, nothing changed.

Most interestingly his music struck up a conversation between my brother and I about the widespread influence of the internet. Without the internet, music wouldn’t sound as it does, clothes wouldn’t look as it does, etc. At least some research is involved in deriving influence on the internet. Television and radio sort of creep in regardless.

Sunday there was yet another show at McCarren Park, which was YACHT from Portland, OR. We arrived during an impromptu Q & A he was having with the crowd. People asked him things like “what’s your favorite ice cream?” To which he replied “chocolate chip cookie dough.” A man after my own heart.. His set was fun although slightly unnerving that the sole sound source was a laptop, an Apple no doubt. It seemed as he had patched some of the songs to effect his vocals only temprorarily, but for all I know that might have just been a backtrack. He complimented his songs with silly dance moved that actually helped. The crowd was sparce and there were probably only 30 or so professional photographers in the front row. Weird. Apparently the pool will be full of water next summer. What to do then?

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That concludes the excitement of my trip. The rest was sheer dissapointment, like arriving to the MoMa to find hundreds of people in line at 11:00 am, or walking to the Whitney to realize that it’s closed on Monday, or jetting back toWilliamsburg to check out a clothing store and finding it closed, or even missing check-in for my flight, getting transfered to flight leaving from LGA , spending $40 on a cab, and having that flight cancel. As I said before, other than some first world inconvenience, the trip and the travels were safe and sound.

This was only my second time in NYC. I wonder if it’s like listening to Low by David Bowie in that it reveals itself more interesting upon each visit…

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all the audio was captured on a Sony MD with a Sony stereo condenser mic.all of the photos were snapped either on a cannon elph or a holga by meghan mcneer